As my cultural map, I formulated a Prezi presentation of different theoretical, literary and visual approaches to imagining the Middle Passage. While the representation of the passage in-between is difficult to visualize, we are invited by thinkers, writers and artists to envision the journey from different perspectives. I aimed at focusing on various conceptions, from…
The cultural map “Haitian Vodou at the Crossroads of the Carnival” explores the place of Vodou in the socio-cultural consciousness of Haiti through tracing its origins, foundational belief system and historical importance in parallel with its representations in Haitian art and the Mardi Grass carnival’s character performances. Vodou is a syncretic religion, entangled in Christian…
In week 3, both Dionne Brand and Saidiya Hartman attempted to define the impossible experience of attempting to trace an origin which has been displaced by the transatlantic slave trade. This map is an attempt to represent the entanglement of pasts and migrations (forced and later voluntary) which produce identities and global dynamics but which…
Inspired by the discussion of Zong! in this course and by the lecture on poetry, I chose to create a piece of found poetry connected to NourbeSe Philip’s work. The poem below is composed of words from the following quote found in Zong!, in the chapter entitled “Notanda”, where NourbeSe Philip writes: “Our entrance to…
Cartography has been perceived as an unbiased practice in the past, the capturing of the world as the world is. But over time it has become clear that map-making is not unbiased as the representation of some matters will always mean the erasing of others. Kei Miller’s poem The Cartographer Tries to Map a Way…
This portrait of a Creole woman is made of thirteen different seeds on a side of an old cardboard box. Taking an ethnobotanical viewpoint, the aim of this portrait is to visualize the intermingled identity of Creole beingness, both on a cultural level as well as on an ecological level. Since 1492, plants, people and…
To offer a cultural map of the Caribbean, the archipelago profoundly characterized by transculturality and historical, political, social and other kinds of entanglements and Creolization, I used The Salt Roads, written by Jamaican-born speculative fiction writer Nalo Hopkinson, as a point of departure to offer a rendition of the ways in which sociopolitical, cultural and…
The focus of my cultural map is the Haitian Revolution, which took place roughly from 1757 through to 1820. In “Hegel and Haiti”, Susan Buck-Morss makes an argument against the marginalization of the colonies in narratives about moves towards democracy and equality during the Enlightenment period (836). Never having encountered this revolution in any of…
For a long time now, I have wanted to create an overview of key writers that I encounter during my studies. I will often recognize the name, but be unable to place the writer – where they are from, what their key writings are etc. The cultural map that I have created has been the…
This map is a geographical representation of the authors cited in Edward Kamau Brathwaite’s “The African Presence in Caribbean Literature”, Dadedalus. I have added some information present in Alison Donnell’s “’The African Presence in Caribbean Literature’ Revisited: Recovering the Politics of Imagined Co-Belonging 1930–2005″. Brathwaite distinguishes four kinds of written African literature in the Caribbean….
As my cultural map, I formulated a Prezi presentation of different theoretical, literary and visual approaches to imagining the Middle Passage. While the representation of the passage in-between is difficult to visualize, we are invited by thinkers, writers and artists to envision the journey from different perspectives. I aimed at focusing on various conceptions, from…
The cultural map “Haitian Vodou at the Crossroads of the Carnival” explores the place of Vodou in the socio-cultural consciousness of Haiti through tracing its origins, foundational belief system and historical importance in parallel with its representations in Haitian art and the Mardi Grass carnival’s character performances. Vodou is a syncretic religion, entangled in Christian…
In week 3, both Dionne Brand and Saidiya Hartman attempted to define the impossible experience of attempting to trace an origin which has been displaced by the transatlantic slave trade. This map is an attempt to represent the entanglement of pasts and migrations (forced and later voluntary) which produce identities and global dynamics but which…
Inspired by the discussion of Zong! in this course and by the lecture on poetry, I chose to create a piece of found poetry connected to NourbeSe Philip’s work. The poem below is composed of words from the following quote found in Zong!, in the chapter entitled “Notanda”, where NourbeSe Philip writes: “Our entrance to…
Cartography has been perceived as an unbiased practice in the past, the capturing of the world as the world is. But over time it has become clear that map-making is not unbiased as the representation of some matters will always mean the erasing of others. Kei Miller’s poem The Cartographer Tries to Map a Way…
This portrait of a Creole woman is made of thirteen different seeds on a side of an old cardboard box. Taking an ethnobotanical viewpoint, the aim of this portrait is to visualize the intermingled identity of Creole beingness, both on a cultural level as well as on an ecological level. Since 1492, plants, people and…
To offer a cultural map of the Caribbean, the archipelago profoundly characterized by transculturality and historical, political, social and other kinds of entanglements and Creolization, I used The Salt Roads, written by Jamaican-born speculative fiction writer Nalo Hopkinson, as a point of departure to offer a rendition of the ways in which sociopolitical, cultural and…
For a long time now, I have wanted to create an overview of key writers that I encounter during my studies. I will often recognize the name, but be unable to place the writer – where they are from, what their key writings are etc. The cultural map that I have created has been the…
This map is a geographical representation of the authors cited in Edward Kamau Brathwaite’s “The African Presence in Caribbean Literature”, Dadedalus. I have added some information present in Alison Donnell’s “’The African Presence in Caribbean Literature’ Revisited: Recovering the Politics of Imagined Co-Belonging 1930–2005″. Brathwaite distinguishes four kinds of written African literature in the Caribbean….